Definition of "dame"
dame
noun
plural dames
(Britain) Usually capitalized as Dame: a title equivalent to Sir for a female knight.
Quotations
The cover of the modern cd, issued by EMI Classics with Dame Janet Baker and Sir John Barbirolli in 1965, carries a portrait of Dame Janet wearing a long coral necklace in reference to the song 'Where the Corals lie' to words by Richard Garnett (1835–1906).
2009, Marcia Pointon, “Something Rich and Strange”, in Brilliant Effects: A Cultural History of Gem Stones and Jewellery, New Haven, Conn., London: Published for the Paul Mellon Centre for Studies in British Art by Yale University Press, part 1 (Stories Touching Stones), page 144
(Britain) A matron at a school, especially Eton College.
Quotations
Even though the dames’ houses were being gradually phased out at Eton, [John Henry] Newman was enthusiastic about the arrangement since it met one of the promoters’ key demands; besides, he had experienced something similar as a boy at Ealing School, where the boarding houses were also under the jurisdiction of dames. The Ealing dames ensured that boys were properly dressed and cared for them when sick, and they also ran the tuck shops.
2005, Paul Shrimpton, “Darnell’s School”, in A Catholic Eton?: Newman’s Oratory School, Leominster, Herefordshire: Gracewing, page 88
As he [Fréderic Guyaz] worked for Topham [Beauclerk] while he was at Eton, it is likely that Topham was a day-boarder there, living at home in Windsor. His Eton "dame" was Mrs. Bland; day-boarders were allocated to a dame at whose house they took their meals.Windsor is on the opposite side of the River Thames from Eton.
2016, David Noy, “Parents, Childhood, Youth (1739–1760)”, in Dr Johnson’s Friend and Robert Adam’s Client Topham Beauclerk, Newcastle upon Tyne, Tyne and Wear: Cambridge Scholars Publishing, page 14
(Britain, theater) In traditional pantomime: a melodramatic female often played by a man in drag.
Quotations
Bugle condemns her to the ducking-stool, a sentence opposed by Colin, who espouses the cause of the Old Dame, who, escaping from her persecutors, puts an end to the wedding festivities by raising the ghost of the Squire's first wife.
1870 January 29, “English Pantomime. In Two Parts.—Part II.”, in William, Robert Chambers, editors, Chambers’s Journal of Popular Literature, Science and Art, volume VII (Fourth Series), number 318, London, Edinburgh: W. & R. Chambers, chapter X, pages 73 and 74
The Dame in a Panto is generally a large, gregarious and out-going man who plays the part of a large, gregarious and out-going woman. […] Every successful actor who plays the part of Dame in Panto knows that the secret of his success is that it should be obvious that it is a man playing a part, for this is not a Drag act; the intention is not to be as womanly as possible, but always to be 'a feller in a frock'. […] Oh how everyone loves the Panto Dame for she is Panto.
2013, Maureen Hughes, “Welcome to the Magical World of Pantomime”, in A History of Pantomime, Barnsley, South Yorkshire: Pen & Sword History, page 34
(US, dated, informal, slightly derogatory) A woman.
Quotations
There is nothin' like a dame / Nothin' in the world. / There is nothin' you can name / That is anythin' like a dame.
1949, Oscar Hammerstein II (lyrics), Richard Rodgers (music), “There Is Nothing Like a Dame”, in South Pacific; published in Oscar Hammerstein II (lyrics), Oscar Hammerstein II, Joshua Logan (book), Albert Sirmay [i.e., Albert Szirmai] (vocal score editor), South Pacific. A Musical Play. [...] Adapted from James A. Michener’s [...] Tales of the South Pacific [...], New York, N.Y.: Williamson Music; Milwaukee, Wis.: Hal Leonard, 1949, page 30
Quotations
Now, thou, deare dame, that workſte theſe ſweete effectes in mee, / Vouchsafe my zeale, that onely ſeeke to ſerve and honour thee.
1576, George Whetstone, “The Castle of Delight: […]”, in The Rocke of Regard, […], London: […] [H. Middleton] for Robert Waley; republished in J[ohn] P[ayne] Collier, editor, The Rocke of Regard, […] (Illustrations of Early English Poetry; vol. 2, no. 2), London: Privately printed, page 55
[T]hough they were first-form'd dames of Earth, / And in whose sparcklinge and refulgent eyes / The glorious sonne did still delight to rise; […]
a. 1638, Ben Jonson, “The Twelvth Night’s Revells”, in Peter Cunningham, edited by David Laing, Inigo Jones and Ben Jonson: Being the Life of Inigo Jones. […], London: Printed for the Shakespeare Society, […], published 1853, page 101
And do you think my Dame Dobſon don't know a little better than you? She tells you, you need ſay no more, and 'tis an affront to her Art not to believe her; and I'le not ſee my Dame affronted.
1684, Edward Ravenscroft, Dame Dobson: Or, The Cunning Woman. A Comedy as it is Acted at the Duke’s Theatre, London: Printed for Joseph Hindmarsh, […], act I, scene xi, page 25
[H]e pointed his staff at a female figure on the path, in whom goodman Brown recognized a very pious and exemplary dame, who had taught him his catechism, in youth, and was still his moral and spiritual adviser, jointly with the minister and deacon Gookin.
1835 April, [Nathaniel Hawthorne], “Young Goodman Brown”, in The New-England Magazine, volume VIII, Boston, Mass.: E. R. Broaders, […], page 252
The poetical relation between the pagan warrior and his celestial bride changed, in course of time, to that between the Christian knight and his ladye-bright, who also was not always an earthly dame, but the holy Virgin or some saint.
1849, Wolfgang Menzel, “First Period. Heathen Antiquity.”, in Mrs. George Horrocks, transl., The History of Germany, from the Earliest Period to the Present Time. [...] Translated from the Fourth German Edition. [...] In Three Volumes, volume I, London: Henry G[eorge] Bohn, […], part I (Origin and Manners of the Ancient Germans), section XX (Wolen and Walkyren), page 45
verb
third-person singular simple present dames, present participle daming, simple past and past participle damed
Quotations
The French call simply Pawn, “la Dame qui n’est point Damée, et l’on n’appelle Dame proprement dite, que le Pion qui est Damé, et couvert d’un autre Pion,” which means “the Draught or Pawn which is not damed, and which is only termed Dame or Queen, when the Pawn which is damed, is covered with another Pawn.”
1805, Richard Twiss, “On Draughts”, in Miscellanies, volume II, London: […], page 162