Who, in reading this magnificent Hebraism, in his conception, sees aught but the heroic son of Nun, with the outstretched arm, and the greater and lesser light obsequious?
1833, Elia [pseudonym; Charles Lamb], “Barrenness of the Imaginative Faculty in the Productions of Modern Art”, in The Last Essays of Elia. […], London: Edward Moxon, […], page 177