Change of scene, and a new lover, are infallible specifics, always supposing there is no character for constancy to be supported: if I witness the violent sorrow of to-day, I impose upon to-morrow the necessity of being sorry also.
1831, L[etitia] E[lizabeth] L[andon], chapter IX, in Romance and Reality. […], volume III, London: Henry Colburn and Richard Bentley, […], page 201