Definition of "ancientry"
ancientry
noun
countable and uncountable, plural ancientries
(archaic) The quality or fact of being ancient or very old.
Quotations
The far past and to-day rarely fail to please; it is the day before yesterday and yesterday which have lost their power to charm us by novelty and instant sympathy with our moods, and have also not yet acquired the glamour of ancientry, or the sentimental forgiveness we are willing to bestow on ancestors sufficiently remote.
1890, Gleeson White, editor, The Master Painters of Britain, London: Caxton, Volume I, Introductory, p. xix
I would see the White Tree in flower again in the courts of the kings, and the Silver Crown return, and Minas Tirith in peace: Minas Anor again as of old, full of light, high and fair, beautiful as a queen among other queens: not a mistress of many slaves, nay, not even a kind mistress of willing slaves. War must be, while we defend our lives against a destroyer who would devour all; but I do not love the bright sword for its sharpness, nor the arrow for its swiftness, nor the warrior for his glory. I love only that which they defend: the city of the Men of Númenor; and I would have her loved for her memory, her ancientry, her beauty, and her present wisdom. Not feared, save as men may fear the dignity of a man, old and wise.
1954, J. R. R. Tolkien, “The Window on the West”, in The Lord of the Rings
(archaic) Old-fashioned style, elaborate ceremony.
Quotations
[…] wooing, wedding, and repenting, is as a Scotch jig, a measure, and a cinque pace: the first suit is hot and hasty, like a Scotch jig, and full as fantastical; the wedding, mannerly-modest, as a measure, full of state and ancientry; and then comes repentance and, with his bad legs, falls into the cinque pace faster and faster, till he sink into his grave.
1598–1599 (first performance), William Shakespeare, “Much Adoe about Nothing”, in Mr. William Shakespeares Comedies, Histories, & Tragedies […] (First Folio), London: […] Isaac Iaggard, and Ed[ward] Blount, published 1623, [Act II, scene i]
He had seen her but in places comparatively great—in her aunt's pompous house, under the high trees of Kensington and the storied ceilings of Venice. He had seen her, in Venice, on a great occasion, as the centre itself of the splendid Piazza: he had seen her there, on a still greater one, in his own poor rooms, which yet had consorted with her, having state and ancientry even in their poorness; but Mrs. Condrip's interior, even by this best view of it and though not flagrantly mean, showed itself as a setting almost grotesquely inapt.
1902, Henry James, The Wings of the Dove
Shuffling from ceremony to ceremony, his sere head raised against its natural desire to drop forward on his chest and covered with as many pits and fissures as a cracked cheese, he personifies the ancientry of his high office.
1950, Mervyn Peake, Gormenghast, London: Eyre & Spottiswoode, Chapter One, III
(archaic) Elderly people, elders, ancients (collectively).
Quotations
I would there were no age between sixteen and three-and-twenty, or that youth would sleep out the rest; for there is nothing in the between but getting wenches with child, wronging the ancientry, stealing, fighting—
c. 1610–1611 (date written), William Shakespeare, “The Winters Tale”, in Mr. William Shakespeares Comedies, Histories, & Tragedies […] (First Folio), London: […] Isaac Iaggard, and Ed[ward] Blount, published 1623, [Act III, scene iii]
(archaic) Something ancient (countable); ancient things (collectively).
Quotations
[…] the shopman’s slim, light fingers, with neat nails, touched them at moments, briefly, nervously, tenderly, as those of a chess-player rest, a few seconds, over the board, on a figure he thinks he may move and then may not: small florid ancientries, ornaments, pendants, lockets, brooches, buckles, pretexts for dim brilliants, bloodless rubies, pearls either too large or too opaque for value; miniatures mounted with diamonds that had ceased to dazzle; snuffboxes presented to—or by—the too-questionable great; cups, trays, taper-stands, suggestive of pawn-tickets, archaic and brown, that would themselves, if preserved, have been prized curiosities.
1904 November 10, Henry James, chapter 6, in The Golden Bowl, volumes (please specify |volume=I or II), New York, N.Y.: Charles Scribner’s Sons