Definition of "emollient"
emollient
noun
plural emollients
(figurative) Anything soothing the mind, or that makes something more acceptable.
Quotations
"Several of the visitors then partook for a short time, with evident Parisian gusto, of the pleasures of the dance," yes--we did, and the lovely girls with whom we polked (ladies being one of the Club emollients) were eloquent in praise of our exquisite tournures which were shown to such advantage beneath our tight uniforms.
1848, Mr. Jolly Green, “The visit of the French national guards to London”, in The New Monthly Magazine
adjective
comparative more emollient, superlative most emollient
Quotations
Twenty leeches were ordered to be applied round the nose every two days; frequent emollient fomentations; the local vapour bath; general bathing; stimulating pedilavia; a strict regimen; vegetables, milk, white meats; demulcent or acidulated drinks; avoidance of exposure to the sun or to cold air; flannel waistcoat and trousers. This treatment, being strictly observed for two months, caused all the inflammatory symptoms to disappear, […]
1827 May 1, “XXVI. Spreading Ulcer of the Nose.”, in James Copland, John Darwall, John Conolly, editors, The London Medical Repository and Review, volume XXVII, number 161 (New Series, volume IV, number XXIII), London: Printed for Thomas and John Underwood, 32 Fleet Street, page 465
(figurative) Soothing or mollifying.
Quotations
[I]nſtead of Honey, Rob of Elder, Conſerve of Roſes, or Syrup of Violets; Glyſters, Pedilavia of emollient Decoctions with Nitre; or Elder, Vinegar, or Focus's of the ſame, applied with Sponges behind the Ears, to the Armpits, Groins, Hams, &c. or with Barley-water and a little Roſe-vinegar.
1749, [Thomas Short], “[Of the Symptoms of Fevers, and Their Cure.] 10th, Of Feverish Heat”, in A General Chronological History of the Air, Weather, Seasons, Meteors, &c. in Sundry Places and Different Times; More Particularly for the Space of 250 Years. Together with Some of Their Most Remarkable Effects on Animal (Especially Human) Bodies, and Vegetables. In Two Volumes, volume II, Printed for T[homas] Longman, in Paternoster-Row, and A[ndrew] Millar, in the Strand, pages 512–513
There is an element of emollient sentimentality, especially in the way the plot lines are neatly tied up, but a good deal of storytelling gusto and ingenuity, and there are also echoes (perhaps deliberately engineered) of Moretti’s greatest film and Cannes Palme d’Or winner, The Son’s Room, from 2001.
2021 July 11, Peter Bradshaw, “Three Floors review – Nanni Moretti melodrama lacks profundity”, in The Guardian