That is, of course, until Australian movie stars like Cate Blanchett and Nicole Kidman proved that they could sell tickets in the West End so long as they could play at being what Rees calls a ‘movie siren’ with a convincing ‘fake pommy accent’.
2003, Susan Bradley Smith, “12: Rhetoric, reconciliation and other national pastimes: showcasing contemporary Australian theatre in London”, in Elizabeth Schafer, Susan Bradley Smith, editors, Playing Australia: Australian Theatre and the International Stage, page 201