Confusion has reigned in scholarly interpretation, however, because the dark-colored leaves have shown through the succeeding coats of paint across the reredos, interfering with the later scenes.
1998, Paul V. M. Flesher, “Rereading the Reredos: David, Orpheus, and Messianism in the Dura Europa Syngogue”, in Dān Ûrman, Paul Virgil McCracken Flesher, editors, Ancient Synagogues: Historical Analysis and Archaeological Discovery, page 363