Definition of "sylvan"

Broke by the jutting Land, on either ſide: / In double Streams the briny Waters glide. / Betwixt two rows of Rocks, a Sylvan Scene / Appears above, and Groves for ever green: […]

1697, Virgil, “The First Book of the Æneis”, in John Dryden, transl., The Works of Virgil: Containing His Pastorals, Georgics, and Æneis. […], London: […] Jacob Tonson, […], page 208, lines 231–234

A little cabinet stood beside, with some of its shuttles and drawers open, displaying hawks-bells, dog-whistles, instruments for trimming a falcon's feathers, bridle-bits of various constructions, and other trifles connected with sylvan sport.

1826, [Walter Scott], chapter III, in Woodstock; Or, The Cavalier. […], volume I, Edinburgh: […] [James Ballantyne and Co.] for Archibald Constable and Co.; London: Longman, Rees, Orme, Brown, and Green, pages 87–88

[T]he traditional memory of a rural and a sylvan region, such as Warwickshire at that time was, is usually exact as well as tenacious; and, with respect to [William] Shakespeare in particular, we may presume it to have been full and circumstantial through the generation succeeding to his own, not only from the curiosity, and perhaps something of a scandalous interest, which would pursue the motions of one living so large a part of his life at a distance from his wife, but also from the final reverence and honor which would settle upon the memory of a poet so preëminently successful; […]

1850, Thomas De Quincey, “Shakspeare”, in Biographical Essays, Boston, Mass.: Ticknor, Reed, and Fields, page 4

We were now within the boundaries of Minnesota, and this prairie was yet the habitation of Wapasha (Red Leaf) and his Sioux band. I never beheld a more charming silvan picture than this prairie presented; […]

1853 July, [Benson John Lossing], “Sketches on the Upper Mississippi”, in Harper’s New Monthly Magazine, volume VII, number XXXVIII, New York, N.Y.: Harper & Brothers, publishers, 329 & 331 Pearl Street, Franklin Square, page 182, column 2

The particular trees may have been cut down long ago and forgotten; but the name survives to perpetuate its sylvan history. There may be no more a wood of Limes at Lyndhurst, there may be no Oaks at Oakville, Elms at Elmley, or Ashes at Ashton; but still the names will always suggest—at least—a probability of sylvan origin.

1886, Francis George Heath, “Sylvan Nomenclature”, in Sylvan Winter, London: Kegan Paul Trench, & Co., 1, Paternoster Square, page 320

Over the course of the nineteenth century, an entity known as the 'German forest' arose out of Central Europe's sylvan diversity.

2002, Jeffrey K. Wilson, “Introduction”, in The German Forest: Nature, Identity, and the Contestation of a National Symbol, 1871–1914 (German and European Studies), Toronto, Ont.: University of Toronto Press, page 1; republished Toronto, Ont.: University of Toronto Press, 2012, page 3

Now, my Sacontalá, you are becomingly decorated: put on this lower veſt, the gift of ſylvan goddeſſes.

1790, Cálidás [i.e., Kālidāsa], [William Jones, transl.], Sacontalá; or, The Fatal Ring: An Indian Drama. By Cálidás. Translated from the Original Sanscrit and Prácrit, London: Printed for Edwards, Pall Mall; by J. Cooper, No. 31, Bow Street, Covent Garden, with his new-invented ink, act IV, page 46

Nicolet Area Technical College, a Rhinelander green centerpiece, gets high marks not just for its management of more than two hundred acres of sylvan land and its thousand feet of frontage along the pristine shores of Lake Julia, but for being Wisconsin's college campus leader in renewable energy use.

2011, Pat[ricia J.] Dillon, Lynne [Smith] Diebel, “Enter, Northwoods: Rhinelander Area”, in Green Travel Guide to Northern Wisconsin: Environmentally and Socially Responsible Travel, Madison, Wis.: University of Wisconsin Press, page 134

This house in McLean, Va., has just about everything a nature lover desires: soothing sounds of the Potomac River, a sylvan setting with countless species of birds and other wildlife, access to hiking, fishing and canoeing — and all within a half-hour of downtown Washington and minutes from the Beltway and George Washington Parkway.

2021 November 12, Kathy Orton, “Nature lovers house in McLean, Va., for sale for $7 million”, in Washington Post‎

[H]e hurried to a masquerade-warehouse in Westminster, where he selected the garb of a sylvan, or a man of the woods, together with a guitar, which he entrusted to a porter, bidding him accompany then to St. James's Park. / "But what connexion is there between a sylvan and a French song accompanied by the guitar?" asked Jocelyn, as they paced rapidly along. / "None whatever," replied his companion, "and, therefore, the better for our purpose. The King has long lost taste for that which is appropriate: to be pleased he must be surprised, and this can only be effected by some absurdity; the more preposterous the more likely to succeed."

1826, [Horace Smith], chapter III, in Brambletye House; or, Cavaliers and Roundheads. A Novel. [...] In Three Volumes, volume II, Boston, Mass.: Wells and Lilly—State Street, pages 80–81

And ſeeing it is ſo generall a report, and ſo many auerre it eyther from their owne triall or from others, that are of indubitable honeſtie and credite, that the Syluanes and Fawnes, commonly called Incubi, haue often iniured women, deſiring and acting carnally with them: […]

1610, Saint Augustine, “Whether It be Credible that the Angels being of an Incorporeall Nature, should Lust after the Women of the Earth, and Marrying Them, Beget Gyants of Them. Chap. 23.”, in J[ohn] H[ealey], transl., St. Augustine, of the Citie of God: […], [London]: […] George Eld, book XV, page 561

214. A Revel and Sacrifice to Pan. The frequent repetition of these subjects shows how deeply the artist's mind was imbued with the love of sylvan rites and ceremonies, characteristic of the fabled golden age, when "In wanton dance they praise the bounteous Pan." […] [N]ear to her are a nymph and a faun sitting together; the attention of the former is at the moment attracted by a sylvan, who is dragging a goat by the leg; […]

1837, John Smith, “The Works of Nicholas Poussin”, in A Catalogue Raisonné of the Works of the Most Eminent Dutch, Flemish, and French Painters; in which is Included a Short Biographical Notice of the Artists, with a Copious Discussion of Their Principal Pictures; a Statement of the Prices at which such Pictures have been Sold at Public Sales on the Continent and in England; a Reference to the Galleries and Private Collections, in which a Large Portion are at Present; and the Names of the Artists by whom They have been Engraved: To which is Added, a Brief Notice of the Scholars & Imitators of the Great Masters of the above Schools, 8th part, London: Published by Smith & Son, 137, New Bond Street, page 113

Her private orchards, walled on every side, / To lawless sylvans all access denied. / How oft the satyrs and the wanton fawns, / Who haunt the forests, or frequent the lawns, / The god whose ensign scares the birds of prey, / And old Silenus, youthful in decay, / Employed their wiles and unavailing care / To pass the fences, and surprise the fair!

1847, Alexander Pope, “Vertuminus and Pomona. From the Fourteenth Book of Ovid’s Metamorphoses.”, in The Poetical Works of Alexander Pope, new edition, London: H[enry] G[eorge] Bohn, York Street, Covent Garden, pages 277–278, lines 19–26

The sylvans who guarded the palace were bearded buffoons, lazy and stupid but fierce. Without the help of the Silenus, prefect of the satyrs, the cocky satyrs may have fought with the sylvans.

1976, Jane Krier, The English Masque: Vanished Court Drama (unpublished M.A. dissertation), Madison, Wis.: University of Wisconsin, page 64