Definition of "footed"
footed2
adjective
comparative more footed, superlative most footed
(in combination) having a specified form or type of foot or number of feet.
Quotations
This tiger-footed rage, when it shall find / The harm of unscann'd swiftness, will too late / Tie leaden pounds to's heels.
c. 1608–1609 (date written), William Shakespeare, “The Tragedy of Coriolanus”, in Mr. William Shakespeares Comedies, Histories, & Tragedies […] (First Folio), London: […] Isaac Iaggard, and Ed[ward] Blount, published 1623, [Act III, scene i]
To maintaine therefore that sconce of thine, strongly guarded, and in good reparation, never suffer combe to fasten his teeth there: let thy haire grow thick and bushy like a forest, or some wildernesse; lest those sixe-footed creatures that breed in it, and are Tenants to that crowneland of thine, bee hunted to death by every base barbarous Barber; and so that delicate, and tickling pleasure of scratching, be utterly taken from thee:
1609, Thomas Dekker, “The Guls Hornbook”, in The Guls Hornbook and The Belman of London, London: J.M. Dent, published 1936, page 27
On the east was only laid a single table. But there as well were placed carved screens, covered with dragons, and a short low-footed couch, with a full assortment of back-cushions, reclining-cushions and skin-rugs.
1892, Cao Xueqin, chapter LIII, in H. Bencraft Joly, Book II, transl., Dream of the Red Chamber
Perhaps the earliest drawing of a dragon, a footed snake with a humanoid head, apparently dated from the third millennium b.c.e.
2002, James H. Bunn, “Natural Forms of Carrier Waves in Traditional Cultures”, in Wave Forms: A Natural Syntax for Rhythmic Language, Stanford, Calif.: Stanford University Press, page 108
(prosody, usually in combination) Consisting of, or having been put into, metrical feet (of a specified character or number).
Quotations
As for the strict forms in which the original poems were written, it seemed an empty exercise to force English into those particular strictures, which in Bengali literary tradition are richly associative but which in English are not. The familiar fourteen-syllable payār couplet with its aa bb cc rhymes and the more intricate three-footed tripadi of variable length and rhyme were the first casualties of the process.
2003, Tony K. Stewart, Introduction to Rabindranath Tagore, The Lover of God, Port Townsend, WA: Copper Canyon Press, p. 12